ProRes 422/ProRes 422 HQ 4K up to 59.The company’s Red One, first shown at the 2007 National Association of Broadcasters (NAB) show, has secured a place in cinema history as a widely used, professional-grade, digital, ultra-HD video camera that has played a major role in putting movie film capture out to pasture.RED Control works wirelessly or wired via the KOMODO Link Adaptor (sold separately). Wireless live preview video feed via 2.4Ghz/5Ghz WiFi for framingĪccess full camera controls and live preview from iOS or Android devices.Īvailable from the Apple App Store and Google Play Store (coming soon). Integrated 2.9" 1440x1440 touchscreen LCD with preview and camera control SMPTE Timecode, HANC Metadata, 24-bit 48 kHz Audio Wired control via KOMODO Link Adaptor, using USB-C or Gigabit Ethernet (compatible USB-C to Ethernet adapter1 required) allowing camera control and live MJPEG preview video feed Genlock, Timecode-in, GPIO and Ctrl (RS232) via the integrated 9-pin EXT Port Wi-Fi for camera control via interchangeable dual band (2.4 GHz/5 GHz) antenna mounted to a female RP-SMA connector Integrated dual channel digital mono microphones, uncompressed, 24-bit 48 kHzĪdditional dual channel via integrated 3.5mm audio jack, uncompressed, 24-bit 48 kHz +7 to +17 V DC via the integrated 2-pin DC-IN port REDCODE HQ, MQ and LQ at 4K 17:9 (4096 x 2160) up to 60 fps REDCODE HQ, MQ and LQ at 6K 17:9 (6144 x 3240) up to 40 fps Up to 280 MB/s using RED Pro CFast or other qualified CFast 2.0 media cardsĢ3.98, 24, 25, 29.97, 30, 50, 59.94, 60 fps, all resolutions See Lens Compatibility List for more details Supports Canon EF with full electronic communication via compatible Canon RF Mount Adapters KOMODO™ 19.9 MP Super 35mm Global Shutter CMOSĪccepts Canon RF Mount Based Lenses and Adapters
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